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mikeon_b4c Jammer

Joined: 19 Feb 2021 Posts: 32
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Posted: Tue Jul 20, 2021 5:18 am Post subject: My Back Pages (fab, but can Jamstix do complex arrangements) |
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Hi
I've bought the full Jamstix pack and have played around with it a bit (a few months back so at my age I'm having to remember what I worked out as I don't find Jamstix especially intuitive or quick to learn). I put a lot of music on Soundcloud, and one example where I think Jamstix delivered beautifully is a remake of My Back Pages, which can be heard here:
https://soundcloud.com/clana_boys/my-back-pages-dylanclana-boysmp3
However, this song is a simple pattern that just repeats over several verses and a guitar solo. I'm currently trying Jamstix out on The Beach Boys 'In My Room'. For the main part this too is simple enough (drumming requirements even simpler, minimal stuff wanted!). But, the intro uses variations on the signature so I have to set a tempo map in Reaper (the DAW I use). Also, the drums (such as they are) don't even come in for a while, so in the Jamstix composition I just want silence until then. Overall, my attempts so far are proving fruitless and Jamstix seems to want to loop round the Intro section for some reason. Its not helped by me being poorly skilled at working out time signatures other than 4/4!
So my big question is whether the Jamstix AI approach is the wrong tool for arrangements with time signature variations etc and that need to be controlled tightly. For this song, it would be very simple to just use Jamstix's drumkit potential and tap out for myself the MIDI I require to be played. But it would be fun (for want of a better word!) to see what new twists Jamstix AI might bring to the drum part in a tight arrangement if it could be put to work without hours of fiddling.
If anyone has any thoughts to offer I'd really appreciate it as although In My Room has such low requirements it could be done without AI, there will no doubt be other songs that use a lot more drums where the same challenges arise.
Thanks in hope!
Mike |
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Azimuth Moderator & Beta Team

Joined: 19 Nov 2010 Posts: 2131
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Posted: Wed Jul 21, 2021 8:59 am Post subject: |
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| In my room is in 12/8, about 70BPM. The bar with the Harp Glissando in the beginning is in 6/8. The drums are just a basic 8th rock beat on the Ride Cymbal. There is also a Wood Block in there. HTH |
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mikeon_b4c Jammer

Joined: 19 Feb 2021 Posts: 32
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Posted: Wed Jul 21, 2021 12:48 pm Post subject: |
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| a_zimuth wrote: | | In my room is in 12/8, about 70BPM. The bar with the Harp Glissando in the beginning is in 6/8. The drums are just a basic 8th rock beat on the Ride Cymbal. There is also a Wood Block in there. HTH |
I started out with 70bpm but seem to be getting along with Reapers click track better if I choose 105bpm, set the intro at 6/8, the suspended Harp bit at 4/4, then 12/8 for the rest of the song.
But I can't seem to get Jamstix song composer to play well with the Reaper tempo map. It knows its there, but it keeps looping back when it gets to the 12/8 start (i.e. the first verse).
Jamstix AI is a sledgehammer to crack a nut on this song (the vocal arrangement is the real challenge!) so I think I'll park the problem for now. But if anyone felt able to set out this short song as a Jamstix file I'd be very interested to hear if they got it to work OK and if so how they did it.
Thanks for coming back with thoughts - its a real help. I'm thinking though overall that Jamstix AI is perhaps best used as part of song creation and not for retrofitting to an old song like this. As its name implies, it wants more to jam along with simpler sequences/blocks than to nuance in the way a human might. Shoot me down if I'm wrong on that!
Mike |
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Azimuth Moderator & Beta Team

Joined: 19 Nov 2010 Posts: 2131
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Posted: Wed Jul 21, 2021 3:46 pm Post subject: |
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What I said is based off of the sheet music I have for the song. If I get some time I'll see if I can figure the riddle out but I've got a few things going on at the moment.
Jamstix can definitely do what you are seeking it to do, I've done it myself with a few songs. What I find usually throws a wrench in the works is time sig changes or partial bars once you've got the tempo map correct. |
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Azimuth Moderator & Beta Team

Joined: 19 Nov 2010 Posts: 2131
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Posted: Wed Jul 21, 2021 8:01 pm Post subject: |
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Here's a link to OneDrive folder containing a Reaper project of the song tempo mapped with Jamstix.
[url]https://1drv.ms/u/s!Anu7Lv7j8w8ghNk-rFsSPEbRchuCFA?e=VZMBvG[/url]
The drums are just simply to show it will play along in sync with the song, not a track intended to be used. Hope this helps you out.
EDIT: I don't know why the URL tags aren't working. Just cut and paste everything between the tags into your browser. |
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mikeon_b4c Jammer

Joined: 19 Feb 2021 Posts: 32
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Posted: Thu Jul 22, 2021 3:47 am Post subject: |
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| a_zimuth wrote: | Here's a link to OneDrive folder containing a Reaper project of the song tempo mapped with Jamstix.
[url]https://1drv.ms/u/s!Anu7Lv7j8w8ghNk-rFsSPEbRchuCFA?e=VZMBvG[/url]
The drums are just simply to show it will play along in sync with the song, not a track intended to be used. Hope this helps you out.
EDIT: I don't know why the URL tags aren't working. Just cut and paste everything between the tags into your browser. |
Wow! Can't thank you enough for this tutorial. I'm just looking at it and have so many questions. I'll start listing them and post again in hope you might be OK with answers, but the bottom line is I'm no more than a 'play by ear' musician who is trying to learn at least the rudiments of musical notation/arrangement as well as how to get Jamstix into harness working within arrangements. I have a lot of learning and work to do, and with so much to learn about so much across teh spectrum of arrangement and studio mixing/producing, as well as playing all the musical parts and doing all vocals, what to turn my learning efforts to next is a constant challenge. I've had some 'quick hits' using Jamstix with simple songs but haven't really got to grips with it yet. Similarly, I've not attempted to get Reaper working with time signatures other than 4/4 (and occasionally 2/4) and I'm not even 'clever' at working out what a time signature is. So, lots to learn.
I've not explored the Rayzoon forum much so maybe stuff is already there, but certainly tutorial examples (or even 'turnkey' templates) for a range of songs - a sort of library - could perhaps be a great help in getting newcomers like me engaged with Jamstix. My feeling about Jamstix is that a very interesting tool with great creative and time saving possibilities, but also that it is a bafflingly different and cryptic tool and many might just give up before they have really mastered its full potential. As a result, other drum vsti products (EZDrummer etc) grow their sales whilst Jamstix remains a relatively niche product (which, if all this is true, is a great shame).
Anyway, I'll start studying your Reaper example and come back with various questions about both Jamstix and Reaper. And I can't thank you enough for coming to my aid - without your help I would probably have put Jamstix away again for a few months as being too baffling for me (and I did watch 4 x 1hr tutorials on youtube a few months back but didn't find it helped much with an issue like we are discussing).
Mike
P.S. My campervan forum uses the same software as this one I think and URLs etc never seems to work properly there also! |
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mikeon_b4c Jammer

Joined: 19 Feb 2021 Posts: 32
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Posted: Thu Jul 22, 2021 5:44 am Post subject: |
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| a_zimuth wrote: | Here's a link to OneDrive folder containing a Reaper project of the song tempo mapped with Jamstix.
[url]https://1drv.ms/u/s!Anu7Lv7j8w8ghNk-rFsSPEbRchuCFA?e=VZMBvG[/url]
The drums are just simply to show it will play along in sync with the song, not a track intended to be used. Hope this helps you out.
EDIT: I don't know why the URL tags aren't working. Just cut and paste everything between the tags into your browser. |
I've now had a look at the Reaper/Jamstix example and (with apologies!) here's questions that I wanted to ask:
1. Reaper - How did you set the tempo map to follow the ‘not to click/tempo’ original. I know how it can be done (I’ve watched tutorials) but it looked very labour intensive. Is it just a question of practising the art so you get quick at it and/or what is the quickest way to do it
2. Song Arrangement - Given that the song is listed on song-sheets as 12/8 etc, you have nonetheless opted for a 4/4 start, then a 6/4, then a 4/4 for the rest of the song. What caused you to make this decision? Was it that this was the best way to get a suitable drum part out of Jamstix AI?
3. Jamstix - I notice that all the songs parts (Verse, Chorus, Bridge etc) after the 6/4 signature marker show as being in 6/4 even though the Reaper signature marker has set the temp back at 4/4. The signatures when you edit the Jamstix blocks cannot be changed. How is Jamstix managing to respect the 4/4 signature, or does it just dodge it because it is playing a basic/straight/simple kick-snare (and ride cymbal) throughout so doesn’t care about bars? Mind you, the random appearance of high-hat footwork in the choruses might suggest that it is following 6/4 signature
4. Jamstix – on the choruses, the left foot using the hi-hat can be seen in the ‘Kit’ view. But when I look at the ‘Groove’ window, the left foot it doesn’t seem to be in use in either the GROOVE, ACCENT, or FILL views. Why is this? I think both the hi-hat and the ride cymbal are being played inappropriately by Jamstix but it gets away with it as both are either quiet or are masked by other elements in the song (the hi-hat for example is hitting with both kick and snare and so simply texturing those hits a bit)
5. Other than adding them by using the bar editor, is there any way to get Jamstix to play double hits on the kick drum (as In My Room really requires for its mood) when playing a pattern?
6. Jamstix - On the song part indicator, Jamstix seems to be moving to the next song part on Beat 3 of the 4th bar (i.e. early) before the next song part starts. Is this just an AI read-ahead phenomenon that happens with Jamstix?
7. Jamstix - How did you persuade the drums to stay silent for the first verse? Did you edit the Jamstix GROOVE sections in Verse 1 to remove what its AI had produced. I see the bars are all locked so that AI can’t re-compose them. I suppose my big question here is whether the creation process is normally to let Jamstix AI have a go at playing the various parts before the human intervenes to edit the composition to taste then lock the cells so the composition is then a ‘job done’.
8. Jamstix - Can Jamstix be instructed not to play ACCENT and FILL sections? Also, I can see that there is a lot of stuff in the GROOVE, ACCENT and FILL editing panes that can change the way the AI behaves when generating a drum part. I guess there is no shortcut to learning how these things will affect the AI other than spending a lot of time experimenting?
Some of the above questions/observations may be bunk so shoot me down if so. I’m sure I’ll find other things I don’t understand but I reckon that’s plenty of questions for now, and I’ll understand if you don’t have time to answer them. And thank you again – this kind of dialogue is so much better that reading the manual or watching youtube and just not finding the answers that you need!
Mike
P.S. no rush to reply. I’m probably going to do In My Room (initially at least) without Jamstix AI simply because its simpler to crack on and do it by other means (Manda MT Power Drumkit – simple but good enough). But, the principles we’re discussing (and getting them right) are essential to getting Jamstix AI to do its best work (or to work at all) in other, complex arrangements. So I’m very keen to learn what it can and cannot be expected to achieve. And if there was a way to respect the 12/8 signature (and with maybe 6/4 and 4/4 sections for the intro/suspend) of In My Room and get Jamstix AI working to it, then I'm all ears as it might help with future similar efforts! |
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Azimuth Moderator & Beta Team

Joined: 19 Nov 2010 Posts: 2131
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Posted: Thu Jul 22, 2021 7:33 am Post subject: |
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1) I used a program called Sonic Visualizer and a Python script that one of the Reaper forum members (LCipher) wrote. The process is described in this post on the Reaper forum: https://forum.cockos.com/showpost.php?p=2221411&postcount=18. It is the fastest, most straight forward method I've found for tempo mapping standard structure songs. I still use manual methods for songs with crazy structures and timings when needed.
2) In my opinion, it just goes to show that you can't always trust sheet music. LOL I'm a complete hack as a "musician" and have no idea how whoever transcribed that came up with 12/8. It could be, but it sure didn't work for me. Maybe someone will pop in and explain it to us.
3) The ruler in Reaper shows the correct number of beats in the different regions. It is probably the zoom level you are viewing the project at. Reaper does some strange things when zooming in or out.
4) The Hi-hat foot is responding to the CC4 data that Jamstix is generating but the Power Hand comp filter is redirecting the Hi-Hat to the Ride cymbal so no Hi-Hat sound is generated.
5) For a song as straight forward as this "drum-wise" I would just hand edit the beats I needed then "Save Groove as Style" then build the song using the saved style(s).
6) That most likely is just audio buffer lag. Do you have a large audio buffer set in Reaper? The audio is likely lagging behind the graphics.
7) I just used the "Silence" song part type when building the song. There are actually 3 silent parts. I renamed Silence [3], the 3rd one as "Verse 1". The other 2 were necessary to cover the different time signatures. You can only have one time signature per song part. So one bar of 4/4 and one bar of 6/4.
8 ) Fills can be eliminated by using Song Menu>Global Actions>Disable Automatic Fills In All Parts or un-checking the boxes in the Song Sheet. The fastest way to eliminate Accents that I've found is to go to the Accent window, slide the "Overall" slider to minimum in the first bar of each song part. That will affect all bars in the entire song part. You could also just go to a single bar, click the "Clear" button and then lock the bar (the white padlock icon) to prevent it from recomposing. It is always a good idea to lock parts after you get them the way you want them and to use the Save Revision icon ALWAYS.
Hope this helps you out.
PS. That Line 6 Variax sounds killer emulating the 12 string Rick. I was thinking of getting one of those (Variax) a while back but never pulled the trigger.
EDIT: I see the tags are working again. |
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mikeon_b4c Jammer

Joined: 19 Feb 2021 Posts: 32
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Posted: Thu Jul 22, 2021 11:37 am Post subject: |
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| a_zimuth wrote: | 1) I used a program called Sonic Visualizer and a Python script that one of the Reaper forum members (LCipher) wrote. The process is described in this post on the Reaper forum: https://forum.cockos.com/showpost.php?p=2221411&postcount=18. It is the fastest, most straight forward method I've found for tempo mapping standard structure songs. I still use manual methods for songs with crazy structures and timings when needed.
2) In my opinion, it just goes to show that you can't always trust sheet music. LOL I'm a complete hack as a "musician" and have no idea how whoever transcribed that came up with 12/8. It could be, but it sure didn't work for me. Maybe someone will pop in and explain it to us.
3) The ruler in Reaper shows the correct number of beats in the different regions. It is probably the zoom level you are viewing the project at. Reaper does some strange things when zooming in or out.
4) The Hi-hat foot is responding to the CC4 data that Jamstix is generating but the Power Hand comp filter is redirecting the Hi-Hat to the Ride cymbal so no Hi-Hat sound is generated.
5) For a song as straight forward as this "drum-wise" I would just hand edit the beats I needed then "Save Groove as Style" then build the song using the saved style(s).
6) That most likely is just audio buffer lag. Do you have a large audio buffer set in Reaper? The audio is likely lagging behind the graphics.
7) I just used the "Silence" song part type when building the song. There are actually 3 silent parts. I renamed Silence [3], the 3rd one as "Verse 1". The other 2 were necessary to cover the different time signatures. You can only have one time signature per song part. So one bar of 4/4 and one bar of 6/4.
8 ) Fills can be eliminated by using Song Menu>Global Actions>Disable Automatic Fills In All Parts or un-checking the boxes in the Song Sheet. The fastest way to eliminate Accents that I've found is to go to the Accent window, slide the "Overall" slider to minimum in the first bar of each song part. That will affect all bars in the entire song part. You could also just go to a single bar, click the "Clear" button and then lock the bar (the white padlock icon) to prevent it from recomposing. It is always a good idea to lock parts after you get them the way you want them and to use the Save Revision icon ALWAYS.
Hope this helps you out.
PS. That Line 6 Variax sounds killer emulating the 12 string Rick. I was thinking of getting one of those (Variax) a while back but never pulled the trigger.
EDIT: I see the tags are working again. |
That is all so amazingly useful, and I feel a bit less of a dunce now. Thank you , thank you, you're a star! And yes, that's a basic 2nd hand Variax off ebay and and old Line 6 HD500 also cheap off ebay. Overall (again, just as with Jamstix) its hard work and time, learning to try and get it to give good guitar sounds out of the box that sound anywhere near as convincing as a cranked up amp, mic'd up. In fact the whole business of trying to get good 'thick/valvey' guitar sounds using 'in the box' stuff is another thing I find incredibly hard work (and it shouldn't be, I feel!). I've thought of getting a Kemper, but they are so much money and I barely play electric guitar! But....just occasionally you get lucky, and everything worked so well on 'My Back Pages'. The 12 string Ricky sounds as good as the real thing, and Jamstix (without my intervention I think) came up with just the right sounding drum breaks. I didn't bother doing variations throughout the song, on the basis that (like Charlie, Ringo et al) the drummers in bands of that era kept it simple and working for the song, not overshadowing the vocals, which were what the song was about (the clue is in the name ha ha). But then along came character drummers like Keith Moon, Simon Kirke and Bev Bevan, and for that I had to hand paint the notes in MIDI. I don't think any drum vsti could do a good job on that kind of randomness. BUT....it is very labour intensive doing that so I thought Jamstix could be an interesting tool for creating stuff that I could then put into MIDI and set about keeping what spoke to me and taking out what didn't. We'll see - all music (and life) is experimentation. It'd be no fun otherwise
Thanks so much again.
Keith Moon
https://soundcloud.com/mobbing_it_up/the-kids-are-alright-pete-townsendthe-who-the-mob
Bev Bevan
https://soundcloud.com/mobbing_it_up/i-can-hear-the-grass-grow-the-movethe-mob
Simon Kirke
https://soundcloud.com/mobbing_it_up/wishing-well-rodgers-kirke-yamauchi-bundrick-kossoffthe-mob |
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d_steinschneider Jam Meister

Joined: 13 Feb 2017 Posts: 78
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Posted: Mon Apr 04, 2022 3:33 pm Post subject: |
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Hey Mike,
Every once in a while, I catch up on the Jamstix forum to learn something new and stumbled across this thread.
I first played your "My Back Pages" and then other covers you put up on SoundCloud. Then I found your originals. I really like your song "In My Own Age". "Strange Sounds" is great also.
I know how much work goes into recording covers, ones at the quality level you're achieving boggles my mind.
If you're ever interested in sharing how you build tracks I would be all ears (and probably many others). I also have EZ Drummer and do some "paint by numbers" drum editing but some of my best tracks have been drummed by "Charlie S."
It took me a good while to teach Jamstix restraint and groove but it's doing a good job for me now. One of my favorite uses is playing B3 in a duo with Jamstix. |
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mikeon_b4c Jammer

Joined: 19 Feb 2021 Posts: 32
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Posted: Mon Apr 04, 2022 5:58 pm Post subject: |
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| d_steinschneider wrote: | Hey Mike,
Every once in a while, I catch up on the Jamstix forum to learn something new and stumbled across this thread.
I first played your "My Back Pages" and then other covers you put up on SoundCloud. Then I found your originals. I really like your song "In My Own Age". "Strange Sounds" is great also.
I know how much work goes into recording covers, ones at the quality level you're achieving boggles my mind.
If you're ever interested in sharing how you build tracks I would be all ears (and probably many others). I also have EZ Drummer and do some "paint by numbers" drum editing but some of my best tracks have been drummed by "Charlie S."
It took me a good while to teach Jamstix restraint and groove but it's doing a good job for me now. One of my favorite uses is playing B3 in a duo with Jamstix. |
Great to read your post and to know you like the music. It's bedtime here in UK and I've got a lot on at present but you raise interesting points and I'll try and reply properly when I get a moment. Had a listen to your Daytripper instrumental and liked it. If you have a listen to my take on Dr Robert, I used Daytripper riff for a solo in that. Hey, why not ha ha 👍 |
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mikeon_b4c Jammer

Joined: 19 Feb 2021 Posts: 32
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Posted: Wed Apr 06, 2022 4:42 am Post subject: |
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| d_steinschneider wrote: | Hey Mike,
Every once in a while, I catch up on the Jamstix forum to learn something new and stumbled across this thread.
I first played your "My Back Pages" and then other covers you put up on SoundCloud. Then I found your originals. I really like your song "In My Own Age". "Strange Sounds" is great also.
I know how much work goes into recording covers, ones at the quality level you're achieving boggles my mind.
If you're ever interested in sharing how you build tracks I would be all ears (and probably many others). I also have EZ Drummer and do some "paint by numbers" drum editing but some of my best tracks have been drummed by "Charlie S."
It took me a good while to teach Jamstix restraint and groove but it's doing a good job for me now. One of my favorite uses is playing B3 in a duo with Jamstix. |
Hi again. Well looking back at my earlier posts I think you can gather the ways in which I have been working. I'm still only using Jamstix at a pretty elementary level - learning the nuances of Jamstix could suck me right in at the expense of all the other stuff I have to do to put a good recording together (not least, being a musician and keeping in touch with the creative muse that is ultimately what makes any performance any good - and I've got to try and do that across all the instruments except bass where I usually have a great bassist and freind who enjoys doing those parts). And then there's the vocal performance, usually the centrepiece although often the least difficult to both perform and to mix well. And then there's the whole huge tearing-hair-out work of getting the mix/master right (and here I've still a lot to learn) . So I often defer substantially to what Jamstix comes up with as a content creator, and then I clean up the silly inappropriate breaks it sometimes does (I think it could be 'taught' to do more of what I want but again its the time and lack of tutorials that go against me with Jamstix). It's always good to have a musician who just gets on with it ha ha.
So in summary, I'd say just ask away with questions that arise after listening to my stuff and I'll do my best to answer them. Bear in mind that a lot of it uses hand created drum parts done in Manda Powerdrum - I only moved over to Jamstix maybe 12-18 months ago. Infuriating though it can be, I love it and the idea of being surprised (pleasantly, hopefully) by what it creates rather than have to find patterns and paste them into a sequence (like with EZDrummer?), which puts a creative pressure on me up front. Hope that makes sense |
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d_steinschneider Jam Meister

Joined: 13 Feb 2017 Posts: 78
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Posted: Wed Apr 06, 2022 3:57 pm Post subject: |
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Hi Mike,
Thanks for the more detailed reply, it gives me the overview I was wondering about. I know what you mean about not getting into the weeds drum wise. I'm going to re-read your threads to see what kind of suggestions you got for creating parts for covers.
I got tips from Ralph and Azimuth that were very different from what I expected such as this one from Ralph that helped me get a hammond trio swing beat:
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STYLE: Jazz Swing
- set 'Swing Ride' to 100%
- set 'Kick' to 0% Amount
- set 'Snare' to 0% Funk, 0% Power Range and 50% Amount
- BRAIN->Extract From Other Player: get 'Main Kick' from 'Custom Rock' style
PLAYER: Roger with preset 'Restrained'
In the accent tab, use 'Early One' to control the frequency of jazzy early downbeats (4+) and you probably will want to turn the tom accents down.
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That got me into playing with the "Brain" and Power Range to tone down the fills. |
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d_steinschneider Jam Meister

Joined: 13 Feb 2017 Posts: 78
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Posted: Wed Apr 06, 2022 4:02 pm Post subject: |
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BTW, I use this YouTube video to be able to adjust Reaper's tempo map to recordings we did without a click. It requires installing SWS extensions which wasn't too difficult:
https://www.youtube.com/watch?v=1ryz7BfQnzg |
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mikeon_b4c Jammer

Joined: 19 Feb 2021 Posts: 32
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Posted: Wed Apr 06, 2022 5:58 pm Post subject: |
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| Good stuff. Will check that out. Currently taking a break from music making to indulge in my other hobby of model aircraft! |
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